When you look at a photo, you don’t analyze the technical decisions behind it — you either feel something, or you move on.
Shooting indoor handball means working in an environment that isn’t always visually forgiving. Mixed lighting, bold advertising, layered backgrounds — everything competes for attention. My job is to control that chaos.
I approach each game with strong compositional awareness: choosing angles carefully, framing tightly, anticipating movement, and isolating moments that feel clean, dynamic, and emotionally clear. Without relying on extreme focal lengths to simplify the scene, I focus on proximity, timing, and precision.
This forces me to be deliberate. To think ahead. To build images rather than just capture them.
The result is work that stands on clarity, tension, and atmosphere — not on perfect conditions.
